Kia’i, a word in ʻŌlelo Hawaiʻi (Hawaiian language) that translates to guardian or protector, is a major theme of KEEPER OF THE BAY, an environmental documentary that recently had its Hawai‘i premiere at the 43rd Hawai‘i Interational Film Festival (HIFF43). In a world where development and industrialization have often encroached upon the delicate balance of
THE ALIʻI KING and KA ʻĀʻUMEʻUME: NAVIGATING HOME are two films presenting Hawaiian diaspora experiences on-screen and told by Hawaiian filmmakers who are in the diaspora (living outside of Hawaiʻi) themselves. THE ALIʻI KING is a narrative short film taking place in the 1960s detailing a Hawaiian-German immigrant family road-tripping from Utah to Anaheim, California
Vicious zombies, grisly action set-pieces, and shocking gore are not a regular occurrence in Hawai‘i indie films. If that doesn’t sound like your idea of a good time, then DECADE OF THE DEAD is not for you. But for those who are able to stomach such intense visuals, and even enjoy them in a perverse
In the documentary RAZING LIBERTY SQUARE, redevelopment is pushing out a poor Black community of approximately 700 families in Liberty Square, a neighborhood that sits in the middle of Miami, Florida. And in Myanmar, thousands have been relocated due to the development of the Myitsone Dam, a project funded by Chinese investment for energy production
Directed by husband and wife filmmaking duo, Todd Soliday and Leah Warshawski, UNCLE BULLY’S SURF SKOOL spotlights a surf instructor in Lahaina, Bull Kotter (Uncle Bully), and his dedication to serving his community amidst the pandemic and following the wake of the August 8th Lahaina wildfire. The documentary begins by showcasing Uncle Bully and the
Enemies to lovers is a romance trope that has run itself to the ground ten times over. Some movies do this well, but it always somehow feels a little familiar. So what better way to add some freshness to this genre than to make a Boys Love film set in Maui with two high schoolers
