Based on Takashi Imashiro’s manga of the same name, GHOST CAT ANZU directed by Yôko Kuno & Nobuhiro Yamashita is a beautiful animated film that is a remarkable example of what is possible when excellent writing, directing, production, and performance all come together. GHOST CAT ANZU is Beautiful, but Boring The film’s production was tremendously […]
GHOST CAT ANZU: The Mundanity of Overcoming Grief Read More »
“I wish I could be as brave as you, Ms.” It’s remarkable how, even at our lowest, we can still be seen as strong, brave, and inspiring to others. In Miki Magasiva’s directorial debut, TINĀ, we are taken on a heartfelt journey that brings joy, laughter, and tears. The film follows the story of Mareta,
Finding strength in grief through TINĀ Read More »
Have you ever had to prove you were a human? In Victoria Warmerdam’s short film I’M NOT A ROBOT (2023), humanness is verified by the successful clearance of a CAPTCHA. With the goal to correctly identify an object like a car within a picture, these tests are meant to deter bots. As AI continues to
I’M NOT A ROBOT – What does it mean to be human? Read More »
From campy cult classics to heart-wrenching dramas,here are 11 queer films you can watch this Pride month. Throughout the process of curating this playlist, I quickly realized just how few queer movies I’ve actually seen. While I’m pretty well-versed in contemporary films, particularly ones that have drawn the most internet discourse, I’ve failed to dig
11 Films to Watch this Pride Month Read More »
Filmed over the course of five years, RAZING LIBERTY SQUARE is a powerfully directed and insightful documentary that follows the redevelopment of New Liberty Square, a $300 million mixed income public housing complex, which begins with the demolition of Liberty Square. Liberty Square is a historically Black neighborhood of Liberty City located in Miami, Florida
Portraying the Faces of the Climate And Housing Crises In RAZING LIBERTY SQUARE Read More »
Although there have been countless romantic movies set in New York City over the years, Mabel Cheung’s AN AUTUMN’S TALE tells a less conventional story by focusing on immigrants in Chinatown. Released in 1987, the movie follows a young woman from Hong Kong who finds comfort, companionship, and belonging in an unlikely person who helps
AN AUTUMN’S TALE Review Read More »
The fragility of freedom of the press is at the forefront in the documentary feature BAD PRESS, which screened at this year’s Hawai‘i International Film Festival (HIFF43). The unique precarity surrounding the issue is detailed onscreen as viewers follow Angel Ellis, a reporter for Mvskoke Media and part of the Muscogee Creek Nation, which is
Reflecting upon freedom of the press in BAD PRESS [Op-Ed] Read More »
HOMETOWN LEGENDS and ISLAND COWGIRLS are two films that are preserving ʻike Hawaiʻi (Hawaiian Knowledge) from nā kupuna (elders) themselves. It is tradition for nā kupuna to pass down knowledge to the younger generations by ma ka hana ka ʻike, learning by doing. In these films, the audience watches as nā kupuna reminisce on their
Preserving ʻIke Kūpuna in HOMETOWN LEGENDS & ISLAND COWGIRLS Read More »
Community leaders are unsung heroes. Oftentimes, they are unfortunately left unrecognized by those outside of their sphere of influence, no matter how much good they contribute. Bull Kotter, lovingly known as Uncle Bully, is one of Maui’s heroes, and the documentary UNCLE BULLY’S SURF SKOOL tells his story so that his goodwill may never be
UNCLE BULLY’S SURF SKOOL represents Maui’s resilience Read More »
In the intricate tapestry of cinematic storytelling, the role of women filmmakers is an essential thread that weaves narratives of diversity, creativity, and perspective. Historically underrepresented in various aspects of the film industry, women have, nonetheless, made indelible contributions that have shaped the cinematic landscape. Their voices, both in front of and behind the camera,
Women on the rise: REEL WĀHINE OF HAWAI‘I Season 4 Read More »
With aloha, HIFF acknowledges its occupation of ancestral, traditional and contemporary lands of the Indigenous Hawaiian people, the Kānaka Maoli.
With gratitude, we honor the ʻāina itself and the generations who steward it.
