Local filmmaker Mike May with Maurice Krafft at lava lake One of the buzziest films at this year’s HIFF Spring Showcase is the Sundance winning documentary FIRE OF LOVE from director Sara Dosa. The film follows the lives and careers of daring French Volcanologists Katia and Maurice Krafft who traveled across the globe for years […]
Hawai‘i filmmakers share photos of FIRE OF LOVE couple from Kilauea 1988 Read More »
WATCH A TALE OF LOVE AND DESIRE ON HIFF SELECTS DURING THE MONTH OF MARCH Lust is always a major factor in the typical coming-of-age story. It’s a tired trope that always falls into the usual cliches. Been there, done that. But rarely are they outlined with the same sincerity and sweetness as in
HIFF SELECTS MARCH: A TALE OF LOVE AND DESIRE Read More »
The 94th annual Academy Award nominations were announced earlier this week with very strong representation from several HIFF41 official selections. Taking the lead with a whopping 12 Oscar nominations is Jane Campion’s THE POWER OF THE DOG, including Best Picture, Best Director, and sweeping all the acting nominations for its main cast. Read our recent
WATCH ESCAPE FROM MOGADISHU ON HIFF SELECTS DURING THE MONTH OF FEBRUARY Anderson Le /// February 1, 2022 When cineastes discuss South Korean cinema, especially in the context of hallyu (Korean wave), auteur names like Bong Joon-ho, Kim Jee-woon and Park Chan-wook are ubiquitously brought up. In 2021, Hwang Dong-hyuk, the creator of SQUID GAME
HIFF SELECTS FEBRUARY: ESCAPE FROM MOGADISHU Read More »
HIFF TALKS: The Official Podcast of the Hawai‘i International Film Festival is recorded by and for the HIFF community, we go a little beyond the normal Q&A with filmmakers on their works and interests. Starting with intention, our talks inevitably go into unexpected, spontaneous directions. Such is the life of building community with creatives with
HIFF TALKS: The Official Podcast of the Hawai‘i International Film Festival is recorded by and for the HIFF community, we go a little beyond the normal Q&A with filmmakers on their works and interests. Starting with intention, our talks inevitably go into unexpected, spontaneous directions. Such is the life of building community with creatives with
HIFF Talks @ Sundance: Sonya Childress & Sahar Driver, co-directors of COLOR CONGRESS Read More »
Alika Tengan’s Every Day in Kaimukī (2022) is the first narrative feature by a Kānaka Maoli filmmaker to premiere at Sundance, but it arrives as part of a cohort of similarly unconventional features from Hawaiʻi, including Christopher Makoto Yogi’s August at Akiko’s (2018) and I Was a Simple Man (2021), and Christopher Kahunahana’s Waikiki (2020).
Sundance 2022 Review: EVERY DAY IN KAIMUKĪ Read More »
For the past two years, I lived on Zoom. I watched films on streaming platforms. The death knell of cinemas was and still is looming. My livelihood and the fate of the Hawai‘i International Film Festival was in jeopardy with a lot of unknowns on the fate of cinema. Then, movie theaters eventually reopened, albeit
HIFF Artistic Director’s Top 10 Films of 2021 Read More »
The votes have been tabulated and the audience has spoken. Here are the HIFF41 Audience Award winners presented by Hawaii News Now. The HIFF41 Audience Award winners were officially announced on Hawaii News Now. You can view the broadcast announcement here. HIFF41 Jury Award winners were announced during the HIFF Awards Gala
HIFF41 Audience Awards Announcement Read More »
Project Will Incubate and Support Eight Native Hawaiian Filmmakers In the Production of One Collaborative Feature Film (November 15, 2021) Honolulu, HI — The Hawai’i International Film Festival (HIFF) presented by Halekulani announced today the launch of MAKAWALU, HIFF’s first production project that will bring eight kanaka maoli (Native Hawaiian) directors together to make one
HIFF Launches First Film Production MAKAWALU Read More »
With aloha, HIFF acknowledges its occupation of ancestral, traditional and contemporary lands of the Indigenous Hawaiian people, the Kānaka Maoli.
With gratitude, we honor the ʻāina itself and the generations who steward it.