Featured articles, opinion pieces and reviews by select HIFF staff, interns and content providers.
I. 94th Oscars cut eight wins for time, still ran over three hours. shadowed by a slap. II. CODA (Best Picture, Adapted Screenplay) utterly sold by powerhouse performances, nothing short of sweet. III. Dune (6 Visual and Sound Awards) celestial awe! groundbreaking score, sight, and sound. can’t wait for part two. IV. Jane Campion (Best […]
Dan Connell’s 19 Haikus from HIFF Oscar Night Read More »
Nia Tero Launches Kin Theory Database for Global Indigenous Creatives //by Jessica Ramirez, Creative Producer, Nia Tero After almost three years of dreaming, website development, and community building, Nia Tero is proud to announce the launch of Kin Theory, a global database for Indigenous creatives. Media makers from around the world who identify as Indigenous are
Nia Tero’s Kin Theory Database for Global Indigenous Creatives Read More »
WATCH A TALE OF LOVE AND DESIRE ON HIFF SELECTS DURING THE MONTH OF MARCH Lust is always a major factor in the typical coming-of-age story. It’s a tired trope that always falls into the usual cliches. Been there, done that. But rarely are they outlined with the same sincerity and sweetness as in
HIFF SELECTS MARCH: A TALE OF LOVE AND DESIRE Read More »
NIGHTMARE ALLEY: A Time-Ambitious Trip Into Film Noir Camp As of February, 2022, NIGHTMARE ALLEY is streaming on HBOmax and HULU. NIGHTMARE ALLEY (2021) is a monster of a movie standing at 150 minutes long. Despite being longer than most audiences are comfortable with – even fans of the Marvel Cinematic Universe have mixed feelings
NIGHTMARE ALLEY /// A Review by Kanani Sato Read More »
The 94th annual Academy Award nominations were announced earlier this week with very strong representation from several HIFF41 official selections. Taking the lead with a whopping 12 Oscar nominations is Jane Campion’s THE POWER OF THE DOG, including Best Picture, Best Director, and sweeping all the acting nominations for its main cast. Read our recent
WATCH ESCAPE FROM MOGADISHU ON HIFF SELECTS DURING THE MONTH OF FEBRUARY Anderson Le /// February 1, 2022 When cineastes discuss South Korean cinema, especially in the context of hallyu (Korean wave), auteur names like Bong Joon-ho, Kim Jee-woon and Park Chan-wook are ubiquitously brought up. In 2021, Hwang Dong-hyuk, the creator of SQUID GAME
HIFF SELECTS FEBRUARY: ESCAPE FROM MOGADISHU Read More »
HIFF TALKS: The Official Podcast of the Hawai‘i International Film Festival is recorded by and for the HIFF community, we go a little beyond the normal Q&A with filmmakers on their works and interests. Starting with intention, our talks inevitably go into unexpected, spontaneous directions. Such is the life of building community with creatives with
HIFF TALKS: The Official Podcast of the Hawai‘i International Film Festival is recorded by and for the HIFF community, we go a little beyond the normal Q&A with filmmakers on their works and interests. Starting with intention, our talks inevitably go into unexpected, spontaneous directions. Such is the life of building community with creatives with
HIFF Talks @ Sundance: Sonya Childress & Sahar Driver, co-directors of COLOR CONGRESS Read More »
Alika Tengan’s Every Day in Kaimukī (2022) is the first narrative feature by a Kānaka Maoli filmmaker to premiere at Sundance, but it arrives as part of a cohort of similarly unconventional features from Hawaiʻi, including Christopher Makoto Yogi’s August at Akiko’s (2018) and I Was a Simple Man (2021), and Christopher Kahunahana’s Waikiki (2020).
Sundance 2022 Review: EVERY DAY IN KAIMUKĪ Read More »
For the past two years, I lived on Zoom. I watched films on streaming platforms. The death knell of cinemas was and still is looming. My livelihood and the fate of the Hawai‘i International Film Festival was in jeopardy with a lot of unknowns on the fate of cinema. Then, movie theaters eventually reopened, albeit
HIFF Artistic Director’s Top 10 Films of 2021 Read More »
With aloha, HIFF acknowledges its occupation of ancestral, traditional and contemporary lands of the Indigenous Hawaiian people, the Kānaka Maoli.
With gratitude, we honor the ʻāina itself and the generations who steward it.
