Featured articles, opinion pieces and reviews by select HIFF staff, interns and content providers.
Hawai‘i International Film Festival Announces Festival Award Winners Best Made in Hawai’i Feature – I WAS A SIMPLE MAN, directed by Christopher Makoto Yogi Best Made in Hawai’i Short – RIVER OF SMALL GODS, Directed by Bradley Tangonan Kau Ka Hōkū Grand Jury Award Winner – DARK RED FOREST, Directed by Jin Huaqing HIFF Best […]
HIFF41 Announces Festival Award Winners Read More »
In a theatre, an entire world exists. There’s aliens, robots, superheroes, and faces from another era and place that are only brought to life by the ethereal-like light that shines from one edge of the room, projecting onto the other end. There’s a silver screen, 30 feet tall and 40 feet wide, that reflects the
JANE CAMPION: A Retrospective / by Kanani Lyons Read More »
The world’s first comedy horror film is thought to be ONE EXCITING NIGHT (1922), which was written, directed, and produced by D.W. Griffith. As the last century added a profound amount of films to this genre, it is valuable to observe why the comedy horror genre has survived in cinemas for this long. Despite being
COMEDY HORROR MOVIES: The Embodiments of “Camp” Are Here to Stay Read More »
Watch the HIFF41 presentation of MONEYBOYS online November 15 – November 28, 2021 Anderson Le: What was the inspiration for MONEYBOYS? First of all, “Moneyboys” never intended to seduce the audience with explicitly dramatized documentary insight of a hustler´s daily work life to foster the voyeurism in every one of us. I don’t like the
MONEYBOYS: A Q&A with Director C.B. Yi Read More »
Albert Pyun had Hollywood dreams. He was sneaking onto Kaneohe Marine Corps Base to shoot his 8mm movies with school buddies, and was a voracious reader of detective noir and frequented the movie houses around Oahu that would play new Asian films, from Akira Kurosawa to King Hu. He was also an admirer of other
HIFF41 Honoree Spotlight: Why Albert Pyun Matters Read More »
The news earlier this week that Rappler founder and embattled journalist Maria Ressa became the first Filipino to be awarded the prestigious Nobel peace prize was greeted by human rights activists around the world. The award has put a spotlight on the struggle of journalists and activists fighting President Rodrigo Duterte’s attacks on press freedom.
Revisiting HIFF’s Q&A with just announced Nobel prize honoree Maria Ressa Read More »
A Sweet Transgender Story Drowned in Motor Oil and Wrapped in Titanium Body Horror // This review DOES contain spoilers for TITANE – I do believe this movie is most effective without having any idea what will happen before going in. With that being said, it feels next to impossible to write about it without
REVIEW: TITANE (2021) Read More »
Sign up for HIFF Selects, a monthly curated streaming club Love in All Its Awkwardness Aspiring jazz singer Bertie is effortlessly beautiful in her voice and demeanor. As a New Orleans native living in the South of France, you hardly ever get the impression that she’s out of place. Lane is a slightly different story.
HIFF Selects: MA BELLE, MY BEAUTY Read More »
41ST HAWAI’I INTERNATIONAL FILM FESTIVAL (HIFF) PRESENTED BY HALEKULANI OPENING NIGHT FILM ANNOUNCEMENT | The Hawai’i International Film Festival (HIFF) presented by Halekulani announced today their Opening Night presentation of WATERMAN directed by Isaac Halasima. The film explores the role of sports in breaking societal barriers through Duke Paoa Kahanamoku’s journey and legacy as a
World Premiere of Duke Paoa Kahanamoku Documentary WATERMAN Read More »
This review contains spoilers to Justin Chon’s BLUE BAYOU – A work of art (film in this instance) can be broken up into two intersecting concepts: form and content. While content is the subject of the artwork, form deals with the different ways the artist utilizes their respective tools (camera work, costumes and set
BLUE BAYOU: Form vs. Content Read More »
With aloha, HIFF acknowledges its occupation of ancestral, traditional and contemporary lands of the Indigenous Hawaiian people, the Kānaka Maoli.
With gratitude, we honor the ʻāina itself and the generations who steward it.
