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Reviews

HIFF SELECTS FEBRUARY: ESCAPE FROM MOGADISHU

WATCH ESCAPE FROM MOGADISHU ON HIFF SELECTS DURING THE MONTH OF FEBRUARY Anderson Le  /// February 1, 2022 When cineastes discuss South Korean cinema, especially in the context of hallyu (Korean wave), auteur names like Bong Joon-ho, Kim Jee-woon and Park Chan-wook are ubiquitously brought up. In 2021, Hwang Dong-hyuk, the creator of SQUID GAME

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Sundance 2022 Review: EVERY DAY IN KAIMUKĪ

Alika Tengan’s Every Day in Kaimukī (2022) is the first narrative feature by a Kānaka Maoli filmmaker to premiere at Sundance, but it arrives as part of a cohort of similarly unconventional features from Hawaiʻi, including Christopher Makoto Yogi’s August at Akiko’s (2018) and I Was a Simple Man (2021), and Christopher Kahunahana’s Waikiki (2020).

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Notes on DUNE from a Native Hawaiian / by Kanani Lyons

Timothée Chalamet (pictured) as Paul Atreides  Not even the dunes of Arrakis could smother the massive-scale retelling of Frank Herbert’s 1965 DUNE and psychedelic-inducing spice pales in comparison to the vision Denis Villeneuve achieves. But with that, we still have to ask: Is Dune a “white-savior” story?   Note from the author: In an attempt

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