The 41st Hawai‘i International Film Festival presented by Halekulani (#HIFF41) will be heading to Kauai at the Waimea Theater from November 18-21. Highlights include new films from Okinawa (MIRACLE CITY KOZA), Japan (THE FABLE: THE KILLER WHO DOESN’T KILL), and South Korea (HOSTAGE: MISSING CELEBRITY). Another highlight is the hilarious family dreamed THE FABULOUS FILIPINO BROTHERS […]
HIFF at Waimea Theater on Kauai, Nov 18-21 Read More »
The 41st Hawai‘i International Film Festival presented by Halekulani (#HIFF41) will be heading to Maui at the Consolidated Theatres Ka‘ahumanu from November 18-21. Ranging from awards-worthy films from auteurs like Ryûsuke Hamaguchi (DRIVE MY CAR), to encores of the Oahu Festival’s Opening and Closing Galas–WATERMAN and BELLE–and the directorial debut of actor Dante Basco (THE
HIFF at Consolidated Theatres Ka‘ahumanu on Maui, Nov 18-21 Read More »
The 41st Hawai‘i International Film Festival presented by Halekulani (#HIFF41) will also be heading to Maui, Kauai and Hawai‘i Island in Hilo from November 18-21. Over 25 films will be screening on three different islands, ranging from awards-worthy films from auteurs like Jane Campion (THE POWER OF THE DOG) and Ryûsuke Hamaguchi (DRIVE MY CAR),
HIFF41 Neighbor Islands Schedule (November 18-21) Read More »
HIFF41 returns in a big way by partnering with Consolidated Theatres with the majority of in-person screenings at the newly renovated and grand re-opening of Consolidated Kahala Theatres at Kahala Mall! Starting November 5th through the 14th, HIFF will be screening over 60 films, the newly refurbished and upgraded theater has been upgraded with state-of-the-art
HIFF41 In-Person Screenings at New Consolidated Kahala Theatres Read More »
Watch the HIFF41 presentation of MONEYBOYS online November 15 – November 28, 2021 Anderson Le: What was the inspiration for MONEYBOYS? First of all, “Moneyboys” never intended to seduce the audience with explicitly dramatized documentary insight of a hustler´s daily work life to foster the voyeurism in every one of us. I don’t like the
MONEYBOYS: A Q&A with Director C.B. Yi Read More »
Albert Pyun had Hollywood dreams. He was sneaking onto Kaneohe Marine Corps Base to shoot his 8mm movies with school buddies, and was a voracious reader of detective noir and frequented the movie houses around Oahu that would play new Asian films, from Akira Kurosawa to King Hu. He was also an admirer of other
HIFF41 Honoree Spotlight: Why Albert Pyun Matters Read More »
The news earlier this week that Rappler founder and embattled journalist Maria Ressa became the first Filipino to be awarded the prestigious Nobel peace prize was greeted by human rights activists around the world. The award has put a spotlight on the struggle of journalists and activists fighting President Rodrigo Duterte’s attacks on press freedom.
Revisiting HIFF’s Q&A with just announced Nobel prize honoree Maria Ressa Read More »
HIFF recently hosted a special advance screening of Justin Chon’s BLUE BAYOU, which will open nationwide on September 17 only in theaters. This is Justin’s 4th film as a director. His first film, MAN UP, which is a bromance black comedy that he shot entirely in Hawai‘i with YouTube star KevJumba some years ago,
BLUE BAYOU: HIFF Talk Story with Justin Chon Read More »
Sign up for HIFF Selects, a monthly curated streaming club A riveting mix of suspense and social commentary, the debut film from director Sam Quah crackles with an intense energy in a pot-boiler with a sinister performance by the stalwart and legendary Chinese American actress Joan Chen as a corrupt police chief. Set in a
HIFF Selects: SHEEP WITHOUT A SHEPHERD Read More »
It is only apropos to celebrate the Tokyo Olympics with a new documentary that celebrates the game changing feats of Olympians that competed in the last Tokyo Games. As visually stylish as it is overall captivating, THE WITCHES OF THE ORIENT takes a solidly crafted look at a fascinating chapter of Olympic history with
HIFF SELECT AUGUST: THE WITCHES OF THE ORIENT Read More »
With aloha, HIFF acknowledges its occupation of ancestral, traditional and contemporary lands of the Indigenous Hawaiian people, the Kānaka Maoli.
With gratitude, we honor the ʻāina itself and the generations who steward it.